Showing posts with label A-. Show all posts
Showing posts with label A-. Show all posts

Wednesday, April 11, 2012

#4, Harold and Maude

My favorite thing about being on the wagon as far as this project goes is that when I'm focused on watching NEW movies, I finally pay attention to all the stuff that I constantly flip past on my Netflix queue in favor of My So-Called Life episodes that I've already seen 500 times. I have had movie #4 in my queue since the very early days of even having said queue, but it has actually been on my radar ever since 1998, when it was alluded to in the classic gross-out comedy, There's Something About Mary. Ladies and gentlemen, may I present:

#4, Harold and Maude (1971, comedy)
This movie is really, really funny. It took a while to get ahold of the particular darkness of this brand of comedy -- but once I did, I was hooked!

There's a great aesthetic to this film -- very, very '70s. I found myself particularly admiring the contrast of Harold's very formal house (and in that tomblike place, it's no wonder that he wound up so death-obsessed) and Maude's crazy-train abode.

Final Grade: A-

Friday, February 24, 2012

#2, One Nation Under God

Look at me, two new movies in ONE DAY! Can you tell I've reached the point in my February vacation that I actually have to get work done ... and have somehow convinced myself that rejuvenating this blog -- a task that requires deviations along the lines of watching a movie or 10 -- is a viable reason not to be working on stuff that I really should? Can you? Because that is totally what has happened here.

#2: One Nation Under God (1993, documentary)

This is a really great look at ministries and even secular groups that have tried to cure people of homosexuality. The structure is largely chronological and there are equal parts video footage and talking heads. The film seems to center partially around the story Gary Cooper and Michael Bussee, two founding members of the uber-creepy Exodus group, who fell in love, renounced Exodus and lived a beautiful life together until Cooper died in 1991.

The directors did a really great job of framing and exploring the issue, as the film moved from historic perspectives through the changing thoughts from psychology -- then into the HOW (info on the therapy itself) -- then into the bigger issues: the effects of ex-gay therapy, how it promotes further homophobia, lgbt community as scapegoats and how homosexuality has been sort of co-opted by the Right Wing.

There were several aha! moments that made me punch the air triumphantly, the biggest one being where several people began explaining homophobia as a true extension of sexism. Very early on in the film, a clear cut distinction was made between sexual orientation and sexual behavior, and how we can change the latter but not the former. The homophobia-sexism connection was one I struggled with when I first heard about it years ago and the behavior/orientation distinction is one that I have noticed a lot of people don't seem to GET right away ... and the film does a really nice job of breaking down these ideas (and many other) so they really make sense. Masterful!

While the bias on the part of the filmmakers was obvious and evident (and also correct; they find conversion therapy as ridiculous as all intelligent people do), it was just as obvious that the directors sought out people to speak from both sides.

Final Grade: A-
This is actually something I would use as a teaching aid, if I were teaching any sort of civil rights/lgbt history/psychology class. It's concise (only 83 minutes!), basic and lets the viewer do a lot of the thinking. It's nearly 20 years later, so I would love to see an update. A lot has changed in our world in the past 20 years (plus: I'd love to see them tear Michelle Bachman and her malarky apart).